Liliana Cosi

In the 1960’s Liliana Cosi was a young ballerina at the beginning of her career. This interview retraces the steps of that period in Moscow.

“An Italian swan conquered the USSR”, was how an Italian newspaper headlined after your debut in Moscow back in 1965. What was the story behind this headline?

I was in Moscow for my second year of apprenticeship at the Bolshoi Ballet Academy as part the historical cultural exchange between Milan’s La Scala and Moscow’s Bolshoi Theatre. My Ballet Mistress, Irina Tichomirnova, decided to teach me the role of prima ballerina for Swan Lake. It was a very new and very challenging experience for me. Ms. Tichomirnova was very demanding- she literally sculpted each of my movements, each of my gestures – but I was up for it!

As we draw closer to the debut (I think she was more nervous than I) she said to me, “Now forget everything I’ve told you and dance with your Italian soul!” Then in the changing room, a few minutes before going on stage, she took my head in her hands and made three signs of the cross on my forehead… she didn’t know that I was Christian; I didn’t have any outward signs.

Liliana Cosi and Rudolph Nureyev

I had just met Chiara’s Ideal and it had taught me that love of God was something to be lived out, not put on display. The next day the Soviet newspaper Isvietzia reviewed the performance and described my dancing as full of ‘spirituality’, an expression that had never before been used in that newspaper! That debut was the beginning of my career.

Did you go to Moscow alone?

Liliana with Valeria Ronchetti

No. Other than the small group of Italian ballerinas who lived in the Bolscioi School Residence and of whom I was group leader, there was also Vale: Valeria Ronchetti one of Chiara’s first companions who had come to Moscow to accompany me. It’s difficult to describe how important those months were for me: a phase of radical change of mentality that influenced (and continues to influence) my whole professional, spiritual and human life. Something that perhaps sums up that period is one of the things Vale said to me: “You don’t have to dance for Jesus; it has to be Jesus in you who dances”.

Did you go back to Russia afterwards?

I was invited back often by the Soviet government: right up until 1989 I went on tour not only around Russia but also in the various capitals of the Soviet Union. I did over 130 shows there and, as a jury member, I took part in three international ballet competitions in Moscow.

What did you take away from the experience in Russia?

From a strictly professional point of view it gave me a lot. At the time there were many dance masters and artists at a very high level. Right up until today they are models for me when I teach and coach at our dance school and ballet company. As a life experience it taught me that you can live the Gospel anywhere and that this Gospel based lifestyle fascinates even those who don’t know anything about it.